Photo: The flame at the Tomb of the Unknown Soldier, Paris. Credits: Romain Fathi
Commemorations
Much of my published work on war commemorations has examined the process of assembly, projection and performance of an aspect of Australian national identity: Anzac and its central role in the national narrative.
For years, I have collected archives on the Western Front, in France, in Australia, but also in the UK and several other countries to document First World War commemorations and their evolving patterns; how states, communities and people commemorate the First World War, and why they do so in a myriad of different ways.
Over the past few years, I have attempted to internationalise Australia’s First World War history. My latest book Our Corner of the Somme (CUP, 2019) has increased awareness about the shortcomings of monolingual and national(ist) research in studying Australia in the First World War.
My methodological contribution has been to use French and foreign primary sources to study Australian extraterritorial commemorations of WWI, creating significant new knowledge of a phenomenon previously undocumented: the way Australians and their representatives have staged French gratitude in Australia’s war remembrance.